mcpbeat

Mix Master

gooseworks-ai/mix-master

Canonical short-form-ad audio mix in one FFmpeg pass. VO loudnorm + 3.0× per-clip + 2.0× mix, music 0.13 base + apad+afade, sidechain compress 20:1 @ 0.01, climax line +20%, optional video-to-music duration sync. Replaces the reactive multi-round tuning that cost v03 6+ passes.

4k tokens
context cost
the whole folder, loaded on every use
3
files
ships runnable scripts
0
copies elsewhere
how many repositories repackaged it
1086
stars on the repo
on the repository, not the skill itself

Install

one command, takes just this skill from the repository
npx skills add https://github.com/gooseworks-ai/goose-skills --skill mix-master

What comes with it

8 498 bytes besides the instruction
scripts/mix.sh
skill.meta.json

The instruction itself

8 sections, as written by the author

mix-master

Purpose

The v03 Ironman LEARNINGS describe 6+ tuning rounds because no default mix protocol existed: round 1 music too loud, round 2 VO too quiet, round 3 Whisper mis-transcribed, round 4 sidechain ratio finally right, round 5 music ended too early, round 6 climax sat at the same loudness as the rest.

This atom encodes the protocol that landed and ships it as the default. Operators tune by flag; they don't redesign the chain.

Inputs

  • --video <path> — video file with no audio (or whose audio gets dropped) (required)
  • --vo <path,path,...> — comma-separated list of per-scene VO mp3s in scene order (required)
  • --vo-starts <ms,ms,...> — start time in milliseconds for each VO clip on the timeline (required, same length as --vo)
  • --music <path> — music bed file (required)
  • --sfx <path,path,...> — optional comma-separated SFX list
  • --sfx-starts <ms,ms,...> — optional SFX start times
  • --output <path> — output mp4 (required)
  • --total-duration <s> — target total duration in seconds (required — video AND music are sync-fit to this)
  • --vo-boost-line <N> — 1-indexed VO clip that is the climax; gets +20% additional volume (default unset)
  • --vo-volume <float> — per-clip VO volume multiplier (default 3.0)
  • --vo-mix-volume <float> — extra mix-bus volume on VO (default 2.0)
  • --music-volume <float> — base music volume (default 0.13)
  • --music-swell-volume <float> — peak music volume during apad/swell (default 0.21)
  • --sidechain-ratio <float> — sidechain ratio, capped at 20 by FFmpeg (default 20)
  • --sidechain-threshold <float> — sidechain threshold (default 0.01)
  • --target-i <lufs> — VO loudnorm integrated target (default -16)
  • --target-tp <dbtp> — VO loudnorm true-peak (default -1.5)
  • --target-lra <lu> — VO loudnorm LRA (default 11)

Workflow

  • Validate inputs — --vo and --vo-starts must be same length; --sfx and --sfx-starts must be same length; ffmpeg + ffprobe must be on PATH.
  • Probe music duration (ffprobe). If music shorter than --total-duration, append apad=pad_dur=2.0 then trim back to target. If music longer, trim with afade=out over last 1.5s.
  • Build a filter_complex_script file (long chains exceed shell arg limits):
  • Per-VO: [N:a]loudnorm=I=...:TP=...:LRA=...,adelay=<start>|<start>,volume=<vo_volume>[voN];
  • Climax VO (if --vo-boost-line N): volume becomes vo_volume * 1.2.
  • Mix all VO: amix=inputs=K:duration=longest,volume=<vo_mix_volume>[vo_pre];
  • Split VO for sidechain key: [vo_pre]asplit=2[vo_final][vo_sc];
  • Music base: apad=pad_dur=2.0,atrim=0:<TOTAL>,afade=t=out:st=<TOTAL-1.5>:d=1.5,volume=<music_volume>[music_base];
  • Sidechain: [music_base][vo_sc]sidechaincompress=threshold=<thresh>:ratio=<ratio>:attack=20:release=600[music_ducked];
  • SFX (optional): per-SFX adelay + volume then mix into [sfx_bus].
  • Final: amix=inputs=<2 or 3>:duration=longest[a_out].
  • Run a single ffmpeg invocation that consumes video, all VO, music, all SFX, applies the filter chain, and outputs the mixed mp4 (video re-encoded only if duration trim needed; otherwise -c:v copy).
  • Run a verification probe: ffprobe loudness summary on [a_out], write manifest.json and verification.md.

Output

  • <output> — mixed mp4 with VO + music + SFX.
  • manifest.json — chain parameters, vo timing, climax line, integrated LUFS after.
  • verification.md — pass/fail report (integrated LUFS within ±0.5 of expected target, no clipping).

Quality Checks

  • Output integrated LUFS within ±0.5 of <target-i> (post-protocol; should be approximately -14 social-ready after the boosts).
  • True-peak strictly below <target-tp> (no clipping).
  • Output duration equals <total-duration> ± 100ms.
  • Music tail has afade=out — last 100ms RMS < -30 dB.
  • If --vo-boost-line was set, the corresponding clip's volume= value is vo_volume * 1.2.

Failure Modes

  • Sidechain ratio > 20 — FFmpeg errors "Result too large." Cap at 20 (the protocol default).
  • VO and starts arrays mismatched — fail fast at validation.
  • Music too short and apad insufficient — emit a warning; video may end before music. Operator should re-source music or shorten --total-duration.
  • VO clip > 5KB but actually error JSON — out of scope here; create-clips Phase 4 catches it.
  • Re-encoding video unnecessarily — if total duration matches input video duration, use -c:v copy to preserve quality.

Example

scripts/mix.sh \
  --video peloton/ads/video-04-new-job/edits/master-no-audio.mp4 \
  --vo "peloton/ads/video-04-new-job/audio/vo-scene-01.mp3,...,peloton/ads/video-04-new-job/audio/vo-scene-14.mp3" \
  --vo-starts "0,2000,3500,...,28000" \
  --music peloton/ads/video-04-new-job/audio/music-cue-01.wav \
  --output peloton/ads/video-04-new-job/edits/master-final.mp4 \
  --total-duration 30.0 \
  --vo-boost-line 14

Consumed by: video-orchestrator/edit-video Phase 3–5, auto-fix-from-review-notes dispatcher (when vo-intelligibility or music-vo-balance polish-notes items reference mix-master).

How to use it

Copy the folder

Take gooseworks-ai/mix-master from the repository into ~/.claude/skills for personal use, or into .claude/skills inside a project.

Check the name does not clash

The agent identifies a skill by the name field in its header. Two skills with the same name cannot sit side by side — one of them will be ignored.